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#VALHALLA VINTAGE VERB MOST LIKE LEXICON 224 PROFESSIONAL#
#VALHALLA VINTAGE VERB MOST LIKE LEXICON 224 SERIES#

LEXICON 224XL – The addition of the “L” in the model number refers directly to the implementation of the LARC.

The NVS card also became a standard feature and the remote control was changed to what has become Lexicon’s signature blue colour. There is a good interview with Sean Costello over at Good Recording Stuff. Sean considers the Rich Plate program to be one of the best he has ever heard. This increased the audio bandwidth of the 224X making it sound a lot less dull than the original 224.

#VALHALLA VINTAGE VERB MOST LIKE LEXICON 224 SERIES#

LEXICON 224X – In 1983 the 224 was updated with a new timing circuit and better conversion based on the Burr Brown 800 series converters chips.According to Sean Costello of Valhalla DSP, the 224X functioned at a higher sampling rate 34.5kHz instead of the 20kHz of the previous units.

The 224 was sold in 2, 4, 6 and 8 program versions which could be expanded via simple eprom upgrades. Users could buy the NVS (non-volatile storage) card as an optional extra to gain user programmable storage.

LEXICON 224 – The first rendition featured Burr Brown 80 series audio conversion, and a spiffy white remote control that connected via a parallel computer cable.

Between its release in 1978 and discontinuation in 1986 as a result of the release of the Lexicon 480L, the 224 had several revisions and updates. Its recognisable thick, smooth character reverbs have been used on famous hits like U2’s Unforgettable Fire, and Peter Gabriel’s So, an action that has solidified the 224’s place in history as an iconic piece of music equipment in application and quite a trailblazer in design and technology. Keep in mind, they are late 1970’s prices! At $7500 USD for a 4 program 224, or $7900 USD for an 8 program unit it really was a hit with studios right around the world. Unlike the monstrously expensive $20,000 floor standing EMT 250, the 224 condensed up to 8 different programs down into a 4 unit rack system with elegant remote control for a fraction of the price.

#VALHALLA VINTAGE VERB MOST LIKE LEXICON 224 PROFESSIONAL#

David Griesinger with the development of professional audio equipment? The Lexicon 224 digital reverb system of course! While it followed the release of the very first widely available EMT 250 digital reverb, the 224’s début in 1978 really redefined the synthesis of reverberation and its application within audio production.

The advantage of the Convolution reverb is that it can simulate the reverb exactly and can sound very natural.What do you get when your cross renowned physicist and engineer Dr. Rather, echoes can be generated electronically by computer calculations / The digital Algorithmic reverb can be generated without natural acoustic vibrations and echoes. Reverb, which has a lot of power when mixing.ĥ. However, theyĪre not defined by a realistic room. This reverb is a mechanical reverberation in which the dry signal is sent through a metal plate and then recorded again. They usually have a bright, smooth sound and produce the typical shiny reverb tail. Plate Reverb algorithms are preferred for drums, percussion and vocals.

But well, in a positive spirit a new reverb was born.Ĥ. It was supposed to reproduce large optimized spaces, which was more or less successful. The chamber reverb was bornīefore the digital age. This reverb is perfect for giving color to your instruments or vocals. The Chamber Reverb is a nice warm, energetic reverb with a lot of vibe. The Room Reverb creates a naturalĬoloration and sounds very beautiful in combination with organic instruments.ģ. You can make your instruments sound as if you had recorded them in a cathedral, a large hangar, an acoustically optimized studio or in your living room. The room Reverb recreates realistic rooms with walls. The Room Reverb is the classic tool for giving a basic spatiality to individual instruments or a complete mix. Have you ever been to a classical concert hall optimized for several $100,000? If not, you should treat yourself to this sound experience in theĢ. Resonances that negatively impact the sound. The Hall Reverb realistically reproduces perfectly acoustically optimized rooms. These rich sounding rooms are typically concert halls, with minimal echoes and